Lighting Commercial Interviews: Using Nanlite PavoTubes on Overcast Days
Mastering Minimalist Cinematography for the Solo Operator Lighting an interview on a flat, gray, overcast day is a specific challenge for any cinematographer. The instinct is often to pull out high-output COB lights and large modifiers to create artificial contrast. However, on a recent commercial production with a tight schedule, I chose a different path: […]