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if Sony's slow motion quality has improved over the years especially after the Sony A6500 came out where the 120fps was less than usable. So has the 120fps gotten better and has the A7III's full frame sensor helped with...
Today I wanted to provide an in-depth video of why I chose to go back to Sony and how the Sony FS7 and A7III are fulfilling my production needs for commercial and documentary projects.
Send your emails to contact@atdavidlee.com with the subject as I WANT FREE BREAKDOWNS PLEASE No weirdo emails too please… Thank […]
This video is all about my FS7 rig for handheld operation from handles, filters, monitor, matte box and more. Don’t […]
There are different strengths, the one I am showing you today is the GlimmerGlass 1, it can be a little overpowering at times and depending on what focal length you're using...
I've spent years working with a range of cameras from small form factor cameras like the BMPCC 4K, Sony A7RII, Canon 1DX Mark II and larger cameras like the Canon C300, FS7, RED SCARLET-W - they are all great cameras at what they do but is there a BEST CAMERA for...
With lot's of time and experience with the BMPCC 4K i've found a very simple method to easily color correct your footage and avoid the limitations of using LUTs...
tips for filming in low light as well as tips for filming in no light situations. Whether you're a wedding filmmaker, event filmmaker, documentary filmmaker and even if you rarely film in low light there's always a great opportunity to learn some tips and tricks to help...
People have said you can't get shallow depth of field on micro four thirds sensors, that full frame and large format give you more - in many cases that is true. Yet, with the advancements made on speedboosters and very fast native micro four thirds lenses we can get very good depth of field using cameras like the bmpcc 4k and gh5.
There's a place and time for chaotic filmmaking but when you want the subtle movements of body language and emotionality from a scene and want the handheld look, I can't think of a better way to get rid of micro jitters and shaky video than by...
With what is happening throughout the world and humanity as a whole I figured it would be a good opportunity to share my perspective of the #quarantine through the lens of a filmmaker and cinematographer. One much like many of you who has been grounded with no work for weeks to come. That being said, last year I was in Rwanda for a mini documentary and my perspective arriving in the country was so different by the time I left...
we're talking about where your keylight should go for interviews or when filming two people with dialogue. keep your keylight motivated from your back light when...
Whether it's a light, a set of lenses, or a camera knowing the difference between what you're investing in and what you're simply buying as a means to an end can help save...
Today we're utilizing lights from our previous scenes, the Quasar Science T8s, Aputure 120D with the fresnel into diffusion, Nanlite Pavotube 15C and some creamy wide open goodness with...
Today we're featuring the Quasar Science T8s, Aputure 120D with the fresnel, a bounce light and how shooting wide open with the SLR Magic 25mm T1.5 Microprime helps to...
In this video i'm reviewing the Nanlite Pavotube 15C tube lights, how tube lights can be used in...
