TIFFEN GLIMMERGLASS LENS DIFFUSION FOR FILMMAKING
There are different strengths, the one I am showing you today is the GlimmerGlass 1, it can be a little overpowering at times and depending on what focal length you're using...
The Perfect Camera Trap – FEATURING SONY FS7
I've spent years working with a range of cameras from small form factor cameras like the BMPCC 4K, Sony A7RII, Canon 1DX Mark II and larger cameras like the Canon C300, FS7, RED SCARLET-W - they are all great cameras at what they do but is there a BEST CAMERA for...
COLOR CORRECT MADE EASY WITHOUT LUT – BMPCC 4K
With lot's of time and experience with the BMPCC 4K i've found a very simple method to easily color correct your footage and avoid the limitations of using LUTs...
TIPS FOR FILMING IN LOW LIGHT AND NO LIGHT
tips for filming in low light as well as tips for filming in no light situations. Whether you're a wedding filmmaker, event filmmaker, documentary filmmaker and even if you rarely film in low light there's always a great opportunity to learn some tips and tricks to help...
DEPTH OF FIELD MICRO FOUR THIRDS – BMPCC 4K
People have said you can't get shallow depth of field on micro four thirds sensors, that full frame and large format give you more - in many cases that is true. Yet, with the advancements made on speedboosters and very fast native micro four thirds lenses we can get very good depth of field using cameras like the bmpcc 4k and gh5.
HOW TO STABILIZE HANDHELD VIDEO – EASYRIG MINIMAX
There's a place and time for chaotic filmmaking but when you want the subtle movements of body language and emotionality from a scene and want the handheld look, I can't think of a better way to get rid of micro jitters and shaky video than by...
FILMIC VLOG EP.15 – PERSPECTIVE
With what is happening throughout the world and humanity as a whole I figured it would be a good opportunity to share my perspective of the #quarantine through the lens of a filmmaker and cinematographer. One much like many of you who has been grounded with no work for weeks to come. That being said, last year I was in Rwanda for a mini documentary and my perspective arriving in the country was so different by the time I left...
Where Does My Keylight Go???
we're talking about where your keylight should go for interviews or when filming two people with dialogue. keep your keylight motivated from your back light when...
Investing vs Buying Gear
Whether it's a light, a set of lenses, or a camera knowing the difference between what you're investing in and what you're simply buying as a means to an end can help save...
Lighting Breakdown TV Commercial PART 3
Today we're utilizing lights from our previous scenes, the Quasar Science T8s, Aputure 120D with the fresnel into diffusion, Nanlite Pavotube 15C and some creamy wide open goodness with...
Lighting Breakdown TV Commercial PART 2
Today we're featuring the Quasar Science T8s, Aputure 120D with the fresnel, a bounce light and how shooting wide open with the SLR Magic 25mm T1.5 Microprime helps to...
Nanlite Pavotube 15C Review
In this video i'm reviewing the Nanlite Pavotube 15C tube lights, how tube lights can be used in...
Lighting Breakdown TV Commercial PART 1
I have a three part lighting breakdown for you guys highlighting a recent television commercial spot I did for your cinematography tips needs.This first part is a moody bathroom scene using...
BEST CAMERA FOR YOU IN 2020
'm covering the best camera for you in 2020 for low light, run and gun, commercials and...
What I Learned In 2019
The Top 5 Things I Learned in 2019 that made me a better cinematographer...
STEMS? Epidemic Sound for Creators
why I choose Epidemic Sound for client and personal projects, the strength of using stems and why...
