FALCONEYES 18TD REVIEW – Travel + Budget Friendly Flex Light
In this video i'm reviewing the Falconeyes 18TD, a very budget friendly and travel friendly flex light. I've been on a few shoots this year with the light and I wanted to bring you...
Cinematography Breakdown – The Brevet Acoustic Live
We shot 3 this night but the setup was the exact same for each one but it's great to look back at old work and dissect what you could have done better (which 100% of the time is really just more man power and lighting gear/grip) and how we can better judge our...
HOLLYLAND MARS 400S REVIEW – ON SET FIELD USE
Could the Mars 400S be the best budget wireless video transmitter system or is there more to be...
EVERYTHING UNDER ONE ROOF – Artlist & Artgrid
Do you ever find yourself using 4 or 5 different sites for licensed music, sound effects and stock footage? Me too! Trust me when I say i've used and tried them all, but for the past two years i've been relying on...
Dynamic Range Tips Sony A7III
my best tips and tools for maximizing the dynamic range on your Sony A7III. We go over Cine2 vs HLG vs SLOG2 and SLOG3, how false color helps and one tool you can use to...
FREE BREAKDOWN TEASER – The Everyday Office Space
Today we have a teaser for another FREE CINEMATOGRAPHY BREAKDOWN going how we convert a typical office space into something with a bit more life, a bit more spice and hopefully it supports you in...
CINEMA LENS ON A BUDGET – SLR Magic E- Mount Microprimes Full Review
As an owner/operator having lightweight, fast, beautiful, crisp and consistent lenses means the world to me and I hope through our short film and the various tests we have that you'll find the SLR Magic Microprimes to...
Sony A7III 120FPS – IS IT BETTER NOW?
if Sony's slow motion quality has improved over the years especially after the Sony A6500 came out where the 120fps was less than usable. So has the 120fps gotten better and has the A7III's full frame sensor helped with...
Back To Sony – FS7 + A7III
Today I wanted to provide an in-depth video of why I chose to go back to Sony and how the Sony FS7 and A7III are fulfilling my production needs for commercial and documentary projects.
FREE Cinematography BTS Breakdown Series
Send your emails to contact@atdavidlee.com with the subject as I WANT FREE BREAKDOWNS PLEASE No weirdo emails too please… Thank […]
FS7 HANDHELD RIG BREAKDOWN
This video is all about my FS7 rig for handheld operation from handles, filters, monitor, matte box and more. Don’t […]
TIFFEN GLIMMERGLASS LENS DIFFUSION FOR FILMMAKING
There are different strengths, the one I am showing you today is the GlimmerGlass 1, it can be a little overpowering at times and depending on what focal length you're using...
The Perfect Camera Trap – FEATURING SONY FS7
I've spent years working with a range of cameras from small form factor cameras like the BMPCC 4K, Sony A7RII, Canon 1DX Mark II and larger cameras like the Canon C300, FS7, RED SCARLET-W - they are all great cameras at what they do but is there a BEST CAMERA for...
COLOR CORRECT MADE EASY WITHOUT LUT – BMPCC 4K
With lot's of time and experience with the BMPCC 4K i've found a very simple method to easily color correct your footage and avoid the limitations of using LUTs...
TIPS FOR FILMING IN LOW LIGHT AND NO LIGHT
tips for filming in low light as well as tips for filming in no light situations. Whether you're a wedding filmmaker, event filmmaker, documentary filmmaker and even if you rarely film in low light there's always a great opportunity to learn some tips and tricks to help...
DEPTH OF FIELD MICRO FOUR THIRDS – BMPCC 4K
People have said you can't get shallow depth of field on micro four thirds sensors, that full frame and large format give you more - in many cases that is true. Yet, with the advancements made on speedboosters and very fast native micro four thirds lenses we can get very good depth of field using cameras like the bmpcc 4k and gh5.
