SONY FS7 IN 2020 – STILL WORTH IT???
As a Sony FS7 owner myself, the camera has paid for itself multiple times in a short time and the image quality, the low light performance and high frame rates laid the foundation for the FX9 and FX6...
FALCONEYES 18TD REVIEW – Travel + Budget Friendly Flex Light
In this video i'm reviewing the Falconeyes 18TD, a very budget friendly and travel friendly flex light. I've been on a few shoots this year with the light and I wanted to bring you...
HOLLYLAND MARS 400S REVIEW – ON SET FIELD USE
Could the Mars 400S be the best budget wireless video transmitter system or is there more to be...
Dynamic Range Tips Sony A7III
my best tips and tools for maximizing the dynamic range on your Sony A7III. We go over Cine2 vs HLG vs SLOG2 and SLOG3, how false color helps and one tool you can use to...
CINEMA LENS ON A BUDGET – SLR Magic E- Mount Microprimes Full Review
As an owner/operator having lightweight, fast, beautiful, crisp and consistent lenses means the world to me and I hope through our short film and the various tests we have that you'll find the SLR Magic Microprimes to...
Sony A7III 120FPS – IS IT BETTER NOW?
if Sony's slow motion quality has improved over the years especially after the Sony A6500 came out where the 120fps was less than usable. So has the 120fps gotten better and has the A7III's full frame sensor helped with...
FS7 HANDHELD RIG BREAKDOWN
This video is all about my FS7 rig for handheld operation from handles, filters, monitor, matte box and more. Don’t […]
TIFFEN GLIMMERGLASS LENS DIFFUSION FOR FILMMAKING
There are different strengths, the one I am showing you today is the GlimmerGlass 1, it can be a little overpowering at times and depending on what focal length you're using...
HOW TO STABILIZE HANDHELD VIDEO – EASYRIG MINIMAX
There's a place and time for chaotic filmmaking but when you want the subtle movements of body language and emotionality from a scene and want the handheld look, I can't think of a better way to get rid of micro jitters and shaky video than by...
Nanlite Pavotube 15C Review
In this video i'm reviewing the Nanlite Pavotube 15C tube lights, how tube lights can be used in...
Anamorphic Adapters Worth It???
At the end of the day, I think the anamorphot-65 is optically a great adapter but the operation and functionality of the adapter make it hard for single, one man band filmmakers to use this lens. If you're with a team or a small crew...
Fuji MK 18-55 + BMPCC 4K
why should you consider purchasing a cine zoom lens like the Fujinon MK 18-55 and not a Sigma 18-35 F1.8 or similar SLR zoom lens?
BMCPCC 4K High ISO Review
I have a few examples of ISO 400 to 6400, my thoughts on the limits of the camera and if the bmpcc 4k is the righ...
SLR Magic Variable ND Review
The slr magic variable nd filter is a 2 stop to 6 stop variable ND with a stop lever letting you know when you're at 2 stop of ND or...
BMPCC4K & GH5 – DYNAMIC RANGE
Comparing the dynamic range between the bmpcc4k vs the gh5 with real world examples and isolated tests..
BMPCC4K – 3 Month Review
The pros and cons of using the blackmagic pocket cinema camera 4k after 3 months of using the bmpcc 4k for documentary and...
